“Stable and strong – you can almost make anything with lashing.”
Illustrated manual at makeprojects.
Previously:
Celebrating the Luddite Uprisings
November 28, 2011 by Filed Under: Low-tech living, Luddites, Random, Technology
“November 2011 – January 2013 marks the 200th anniversary of the Luddite uprisings, in which artisan cloth workers smashed machines which were destroying their trades, undercutting wages and forcing them into unemployment and destitution. Today, the industrial system that the Luddites were rebelling against has led to climate change and huge losses of biodiversity, and its new technologies, such as information technology, genetic engineering and nanotechnology raise equally profound issues. Yet anyone who raises concern about the price and side-effects of new technologies is harshly condemned as a ‘luddite’, someone supposedly irrationally opposed to technology and progress.”
“In fact, the Luddites were not ‘luddites’ in that sense: the idea that they were opposed to all technology is a history written by the victors. In fact the Luddites opposed only technology ‘hurtful to Commonality’, ie. to the common good, rather than the narrow interests of the few. They destroyed some machines whilst leaving alone others in the same workshop. So being a luddite today means being a sceptic about the dogma of technology as progress, not about denying the real benefits of some technologies. It means insisting that the crucial decisions about which technologies are developed are made democratically, not just imposed by corporations and technocratic elites. And it means standing up for our own ideas of what progress really is.”
Help celebrate 200th anniversary of the Luddite uprising: Luddites at 200 website. See also: “Lessons of the Luddites“.
When Low-Tech Goes IKEA
November 13, 2011 by Filed Under: Access to information, DIY, Human power, Language, Pedal power, Pedal powered machines, Random
What happens when two industrial design students from Sweden end up in Kenya creating a pedal powered machine for small-scale farmers who are often illiterate and speak more than 60 languages? You get a do-it-yourself design that seems to have come out of the IKEA factories – pictoral manuals included.
“Made in Kenya”, the bachelor project of Niklas Kull and Gabriella Rubin, is a textbook example of low-tech made accessible to everybody, regardless of their native tongue and language skills.
Medieval Fairs and Market Towns
After quitting Soberton Down, we came up a hill leading to Hambledon, and turned off to our left to bring us down to Mr. Goldsmith’s at West End, where we now are, at about a mile from the village of Hambledon.
A village it now is; but it was formerly a considerable market-town, and it had three fairs in the year. Wens [large overcrowded cities] have devoured market-towns and villages; and shops have devoured markets and fairs; and this, too, to the infinite injury of the most numerous classes of the people.
Shop-keeping, merely as shop-keeping, is injurious to any community. What are the shop and the shop-keeper for? To receive and distribute the produce of the land. There are other articles, certainly; but the main part is the produce of the land. The shop must be paid for; the shop-keeper must be kept.
When fairs were frequent, shops were not needed. A manufacturer of shoes, of stockings, of hats; of almost anything that man wants, could manufacture at home in an obscure hamlet, with cheap house-rent, good air, and plenty of room. He need pay no heavy rent for shop; and no disadvantages from confined situation; and then, by attending three or four or five or six fairs in a year, he sold the work of his hands, unloaded with a heavy expense attending the keeping of a shop.
Quoted from: “Rural Rides“, William Cobbett, 1830.
Featherbeds, Rushlights, Brooms: The History of Household Objects
October 17, 2011 by Filed Under: History, Obsolete technology, Random
A very well documented and illustrated website on the history of everyday home life, housekeeping and domestic objects: Old & Interesting. A few examples:
“Featherbeds were only for the rich in the 14th century, but by the 19th century they were a comfort that ordinary people could aspire to – especially if they kept a few geese. The beds, also called feather ticks or feather mattresses, were valuable possessions. People made wills promising them to the next generation, and emigrants travelling to the New World from Europe packed up bulky featherbeds and took them on the voyage. If you didn’t inherit one, you needed to buy up to 50 pounds of feathers, or save feathers from years of plucking until there were enough for a new bed.”
“For centuries in small cottages there were people who could not afford any kind of candle. For them a cheap alternative was a rushlight made from a rush dipped in grease, or a burning splinter of wood. These were held pinched in a nip like pliers or tongs on a stand. Nips were also called nippers or a pair of nips. They could be combined with a candle-holder for people who used both kinds of light, depending on their needs and budget at different times.”
“When you stop and think about it, you probably realise that brooms got their name because they used to be made of branches of broom, a yellow-flowering shrub – except when they were made of birch or heather. Many other shrubby plants have been used across the world for sweeping and brushing. Tie a bundle of good local twigs together, with a tight, narrow grip at one end, and you can whisk dirt away. If you attach the broom to a broomstick, so much the better.”
More: Old & Interesting
How to Build a Medieval City
September 20, 2011 by Filed Under: Architecture, Books & Reference, History, Random
The “Dictionnaire raisonné de l’architecture française du XIe au XVIe siècle” is an overwhelming reference work consisting of 9 books (some 5,000 pages in total) on medieval and renaissance architecture in France. It is written in French, as you already suspected, but the detailed illustrations make it worthwhile for all architecture and history devotees. There is really all you need to know to build, for instance, a gothic cathedral, including the gargoyles. The work appeared in 1856 and was written by Eugène Viollet-le-Duc, an architect known for his restorations of medieval buildings. The separate volumes can also be found on the Internet Archive.
