The Lamp of the Eskimo (1898)

Quoted from: Hough, Walter. The lamp of the Eskimo. US Government Printing Office, 1898.

Though the Eskimo live at a temperature of zero Fahrenheit, travelers have noticed their idiosyncrasy with regard to cold. The clothing is designedly left open at intervals around the waist and the bare skin exposed to the cold air. As a rule the Eskimo strip when in the house and sleep naked. Another indication of their feverishness is the consumption of great (quantities of ice-cold water. No explorer has failed to notice the Eskimo lamp, around which the whole domestic life of this people seems to focus. Far more remarkable than being the unique possessors of the lamp in the Western Hemisphere, the Eskimo presents the spectacle of a people depending for their very existence upon this household belonging. Indeed, it is a startling conclusion that the lamp has determined the occupancy of an otherwise uninhabitable region by the Eskimo, or, in other words, the distribution of a race. [Read more…]

No Tech Reader #35

Machine Environmentalism

“The phrase ‘eco fascist’ is a label which is increasingly being applied to the wrong kind of environmentalist: those who offer up a vision of humanity and nature that involves roots, traditions, smallness, simplicity, a return to previous lifeways, or any other kind of challenge to Machine modernity. This in turn is contrasted with the right kind of green: that which is modern, global, progressive and – most importantly of all – friendly to the onward march of the technological society.”

Read more: The Fourth Revolution, Paul Kingsnorth. Via Wrath of Gnon.

Everyday counter-narratives of the so-called fourth agricultural revolution

Prevalent narratives of agricultural innovation predict that we are once again on the cusp of a global agricultural revolution. According to these narratives, this so-called fourth agricultural revolution, or agriculture 4.0, is set to transform current agricultural practices around the world at a quick pace, making use of new sophisticated precision technologies. Often used as a rhetorical device, this narrative has a material effect on the trajectories of an inherently political and normative agricultural transition; with funding, other policy instruments, and research attention focusing on the design and development of new precision technologies.

A growing critical social science literature interrogates the promises of revolution. Engagement with new technology is likely to be uneven, with benefits potentially favouring the already powerful and the costs falling hardest on the least powerful. If grand narratives of change remain unchallenged, we risk pursuing innovation trajectories that are exclusionary, failing to achieve responsible innovation. This study utilises a range of methodologies to explore everyday encounters between farmers and technology, with the aim of inspiring further work to compile the microhistories that can help to challenge robust grand narratives of change.

We explore how farmers are engaging with technology in practice and show how these interactions problematise a simple, linear notion of innovation adoption and use. In doing so, we reflect upon the contribution that the study of everyday encounters can make in setting more inclusionary, responsible pathways towards sustainable agriculture.

Read more (open access): Rose, David Christian, et al. “The old, the new, or the old made new? Everyday counter-narratives of the so-called fourth agricultural revolution.” Agriculture and Human Values (2022): 1-17.

Forgotten Clothing: Hip Scarves

Hip Scarves. Image by Marie Verdeil.

Last year my partner stumbled upon a fascinating piece of clothing in a second-hand shop in Donostia, Basque Country. It looks like a miniskirt but is a (unisex) piece of underwear that increases thermal comfort in winter.

The clothing piece comes by different names: hip warmer, hip hugger, hip scarf, waist scarf, back warmer, belly warmer, tummy band, core warmer, warming belt, thermal brace — the list goes on. It is known as a “Haramaki” or “belly wrap” in Japan.

My hip warmers come in different sizes and are made from 69% wool, 22% cotton, and 9% elastodiene. Judging by the packaging design, they date from the 1970s or early 1980s. [Read more…]

The World’s Largest Flutes

Winne Clement made and recorded these huge Overtone flutes for The soundtrack of the Movie ‘The Whale’ by Darren Aronofsky. Check out the video on YouTube. We interviewed Winne Clement a few years ago.